Tangled Bell at Timucua Arts

tangledbell-poster

Sunday, February 3, 2019 7pm Timucua Arts white house 2000 S. Summerlin Ave.

Tangled Bell Ensemble:
Elizabeth Baker, piano
Matthew Davis, cello
Harley Galeano, drums
Steven Garnett, voice
A.J. Herring, trombone
Jim Ivy, saxophones, composition, conducting
Syoma Klochko, accordion/guitar
Thomas Milovac, bass
Sarah Morrison, violin
Dan Reaves, electronics
Holly Tavel, voice
Andrew Toth, trumpet

The main goal of this exploration is to juxtapose seemingly conflicting concepts and approaches, and display them in an aligning way; to show how antagonistic forces and unfamiliarity can create a cooperative friction and become formidable allies. The intent being that all portions of the whole (notated music, text, improvisation) were at once independent of and mutually dependent upon each other; symbiotic; each being a part and apart simultaneously.

By coordinating loosely written themes that rely on improvisation for story detail, the inclusion of musicians with vast differences in musical background and influence, semi-spontaneous arrangements and impromptu conducting, Pisang Zapra is presented as more of an experimental “state of the union” than a completed work.

Creating an environment where the construction of composition is immediate and experientially apparent has been an objective of mine for some time. The game piece, Milton Bradley (2012), attempted to coax improvisors into immediate composers by interpretation.

The Dada poetry of Tristan Tzara shows its influence in this piece of music in two ways. First, through the words themselves; poignant and clever, sharp and witty, dark and humorous, deconstructive and fluid, all at once. Getting to the point was not the end goal, but was part of the process.

Also influencing the music is the rhythm and phrasing of Tzara’s poetry; very musical but very non-Western and collage-like. As with most stream of consciousness writing and use of “cut-up” or random phrasing within a context, many times the gist of a paragraph or work will not present itself entirely until late or even at the end of the piece. The idea is not realized until completed.

tangledbellJuxtaposition is used between the words of Tzara and my own personal “responses”, both in words and sound. This is meant not so much as a call and response, but rather like a conceptual “inside/outside” viewpoint of the same situation.

I am extremely honored to share this journey with the musicians here. Each of these performers brings vast knowledge from vary diverse spectrums of the musical universe.

All compositions written and arranged by myself with the exception of the final piece, written by Joseph Jarman, with my rearrangement.

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Tangled String Ensemble at the 2018 Accidental Music Festival Marathon

Here are photos from the performance as the closing act to this year’s AMF Marathon. The ensemble consisted of Dan Reaves (electronics), Simon Klochko (guitar), Sean Hamilton (percussion), Josh Dampier (viola), Thomas Milovac (bass), Sarah Morrisson (violin), Matt Davis (cello), Pat Greene (spoken word), and myself on saxophone, composition and conducting.

Photos courtesy of Andreas Volmer.

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Bear Dream album release show

Saturday, August 5th, will see the debut release from Bear Dream, a band consisting of former and current members of Happy Valley, Obliterati, Franchise, The Crack Rock Opera, and Bengali 600.

Here’s a preview from Bao Le-Huu and the pages of The Orlando Weekly:

This Orlando band’s name won’t be familiar to many – that is, unless you’re an especially keen reader of “This Little Underground.” The new act is the vehicle for Evan Shafran, whom most know as the wild caveman drummer of freak-rock group Happy Valley. Word came our way – then was confirmed by Shafran himself – that the inspiration for the name was a 2014 column reviewing Happy Valley that described the burly performer known for playing shirtless as a “bear dream.” Though they haven’t played out much, Shafran and the boys – a band that includes notable Orlando weirdos Danny Feedback and Jim Ivy – have created an album’s worth of material to officially unveil at this release show. That debut LP is a melted prog-punk kaleidoscope that’s cut from the same mischief and subversion that made Happy Valley so individual and exceptional. And once you lay your eyes on the glorious cover art, you’ll see just how far Shafran is willing to go to live the dream.

The Orlando Weekly’s Review of Midaregami

I wanted to post this review of the Tangled Bell Ensemble‘s performance of Midaregami here as I am very proud of that piece and it is a stellar review.

This Little Underground: Jim Ivy’s Tangled Bell Ensemble debuts at the In-Between Series

The local rule is that if Jim Ivy is involved, it’s gonna be weird or smart, often both.

For the consistently intriguing music monthly the In-Between Series, he rolled out a rather grand conceptual experiment with the debut of his Tangled Bell Ensemble (May 18, Gallery at Avalon Island). Using the early 20th century poetry work of Japanese author Akiko Yosano as impetus, the idea of the performance – titled “Midaregami (Tangled Hair)” – was to explore orchestrating heterogeneity into concert. To do that, he assembled a cast of 11 members – the biggest to perform the series yet – from an intentionally wide spectrum of musical backgrounds. Many of them looked and sounded like more classical players, but musicians I recognized from my usual beat included members of weirdo acts like Moon Jelly and Happy Valley. The resulting body was a small orchestra expanded with guitar, piano, accordion, voice and modern drum kit. At its head was Ivy pulling double duty as conductor and player on his trademark sax.

Sonically, the four-act journey was a tapestry of music and word (English and Japanese) that slithered from mystery to beauty to excitingly unchained bedlam at the end of the second act. Though structure and arc formed the program’s narrative, the individual pieces were composed loosely to allow some placed pockets of improvisation, moments that seemed to make Ivy beam with the most joy and that at some point engaged each and every player. Further testament to the extemporaneous spirit of the performance was the fact that the first time the entire ensemble was in the same room together was about 40 minutes before the show. Though the end was an interesting, fully in-the-moment display in itself, this was a demonstration of the art of process and spontaneity. As such, the result was adventure not recital, and it was an experience of unfolding, evolving tension.

by Bao Le-Huu

Tangled Bell

HEADERA quick word to help promote the upcoming show: May 18 at 7pm at The Gallery at Avalon Island. The In-Between Series presents Jim Ivy’s Tangled Bell Ensemble performing Midaregami.

Anna Wallace: voice
Midori Imhoof: japanese voice
Andrew Toth: trumpet
A.J. Herring: trombone
Jim Ivy: composition, reeds
Sarah Morrison: violin
Matthew Davis: cello
Steven Head: guitar
Thomas Milovac: bass
Elizabeth Baker: piano
Nick Boutwell: accordion
Evan Shafran: drums.

Tsutsui_Toshimine-No_Series-Second_Bloom-00038067-050716-F12The main goal of this exploration is to juxtapose seemingly conflicting concepts and approaches, and display them in an aligning way; to show how antagonistic forces and unfamiliarity can create a cooperative friction and become formidable allies. The intent being that all portions of the whole (notated music, text, improvisation) were at once independent of and mutually dependent upon each other; symbiotic. Each being a part and apart simultaneously.

By coordinating loosely written themes that rely on improvisation for story detail, the inclusion of musicians with vast differences in musical background and influence, semi-spontaneous arrangements and impromptu conducting, Midaregami is presented as more of an experimental exercise than a completed work.

36658g1Creating an environment where the construction of composition is immediate and experientially apparent has been an objective of mine for some time. The game piece, Milton Bradley (2012), attempted to coax improvisors into immediate composers by interpretation.

This piece is based on the collection of 400 tanka poems written by Akiko Yosano titled Midaregami (Tangled Hair). Appearing in 1901, Midaregami brought a passionate individualism to traditional tanka poetry, unlike any other work of the late Meiji period. A Japanese author, poet, pioneering feminist, pacifist, and social reformer, Akiko Yosano (1878-1942) would become one of the most famous, and controversial, post-classical woman poets of Japan.

In other news, The Delusionaires hit the road north-bound once more winding up at the Midnight Monster Hop in NYC. More details to come. June is already full.

End of Year update

Things are moving along as usual, but not on this site. So, here is a brief “catch-up”:

OblitObliterati has reformed, after 15 year, and are performing shows and writing new material. Crazy. We will be at Will’s Pub on Sunday, December 28th, if you want to catch us.

Unblit-smallA one-time offshoot of Obliterati has released a CD on Bipediment Records. Known as Unbliterati for this session, Instant Songs is a group improvisation recorded live in the studio on August 31st and November 9th. You can listen to it free here.

nakataniThere were a number of improvisation shows I participated in since my last posting, including performing in an ensemble format in Gainesville with Tatsuya Nakatani (thanks to Andrew Chadwick for setting up the show and inviting me to be a part of it) as well as a very successful large ensemble conducted improvisation of Disney music at the Sun Ray Cinema in Jacksonville, organized and conducted by Jamison Williams.

NYE2014The Delusionaires have become the hardest working sods I know, with a mind-blowing, blow out show on New Year’s Eve at Will’s Pub, along with The Woolly Bushmen and The Golden Pelicans (tickets available here), January shows in Atlanta and Athens, a March show in Chapel Hill, NC, and a June show in New York. And that’s not the end of it. But that’s as far as this post is going.

Delusional Road Show

mermaidparadeball (1)Never seems to be a dull moment with the “revitalized” Delusionaires. Next stop is Coney Island, NY where we will be performing a set at the Mermaid Parade Ball at MCU Park on Saturday, June 21st. The parade will start at 1pm, the ball will start at 6pm. Hope we survive to tell you about it.

mermaidBOOBS

Dels in a box

We follow that spectacular spectacle with a hometown throw down at our favorite watering hole, Will’s Pub on Saturday, July 12, where we’ll be joined by (hold onto your pantaloons) Little Sheba and the Shamans and Tiger! Tiger! Woah, now that’s something to come home to.

Summer got a whole lot hotter!